The Giclee Gallery
     
  Featured Artists  
Amadeo Modigliani Amadeo Modigliani
Claude Monet Claude Monet
Dante Gabrielle Rossetti Dante Gabrielle Rossetti
David Roberts David Roberts
Edgar Degas Edgar Degas
Egon Schiele Egon Schiele
Frederick Lord Leighton Frederick Lord Leighton
Gustav Klimt Gustav Klimt
Henri de Toulouse Lautrec Henri de Toulouse Lautrec
Howard Vincent Howard Vincent
JMW Turner JMW Turner
Leonardo da Vinci Leonardo da Vinci
Magna Carta Magna Carta
Mark Clark Mark Clark
Michelangelo Buonarroti Michelangelo Buonarroti
Pablo Picasso Pablo Picasso
Paul Cesar Helleu Paul Cesar Helleu
Raphael (Raffaello Sanzio) Raphael (Raffaello Sanzio)
Salvador Dali Salvador Dali
Sandro Botticelli Sandro Botticelli
Sir Herbert Draper Sir Herbert Draper
Sylvette David Sylvette David
Vincent van Gogh Vincent van Gogh
     
     

Amadeo Modigliani
 

Amadeo Modigliani
Date: 1884 - 1920

During the early 1900s in Paris, the Italian painter and sculptor Amedeo Modigliani, b. July 12, 1884, d. Jan. 24, 1920, developed a unique style. Today his graceful portraits and lush nudes at once evoke his name, but during his brief career few apart from his fellow artists were aware of his gifts. Modigliani had to struggle against poverty and chronic ill health, dying of tuberculosis and excesses of drink and drugs at the age of 35. In 1906, Modigliani settled in Paris, where he encountered the works of Henri de Toulouse-Lautrec, Georges Rouault, and Pablo Picasso (in his "blue period") and assimilated their influence, as in The Jewess (1908; private collection, Paris). The strong influence of Paul Cezanne's paintings is clearly evident, both in Modigliani's deliberate distortion of the figure and the free use of large, flat areas of color. His friendship with Constantin Brancusi kindled Modigliani's interest in sculpture, in which he would continue his very personal idiom, distinguished by strong linear rhythms, simple elongated forms, and verticality. Head (1912; Guggenheim Museum, New York City) and Caryatid (1914; Museum of Modern Art, New York City) exemplify his sculptural work, which consists mainly of heads and, less often, of full figures. After 1915, Modigliani devoted himself entirely to painting, producing some of his best work. His interest in African masks and sculpture remains evident, especially in the treatment of the sitters' faces: flat and masklike, with almond eyes, twisted noses, pursed mouths, and elongated necks. Despite their extreme economy of composition and neutral backgrounds, the portraits convey a sharp sense of the sitter's personality, as in Moise Kisling (1915; private collection, Milan). A fine example of Modigliani's figure paintings is a reclining Nude (1917; Guggenheim Museum), an elegant, arresting arrangement of curved lines and planes as well as a striking idealization of feminine sexuality.

  View More Information on this artist
  View this artists collection


 
  Featured Artist Pablo Picasso
"Unrivalled genius of the 20th Century"
ArtistName view works by this artist
  © The Giclée Gallery